SpoCon Panel: Science Fiction TV
The "now" is a little more problematic. I don't have cable and I don't subscribe to the more typical streaming services like Hulu, CBS, or Netflix. I've got Amazon Prime which helps for the 1970s and 1980s, but is a little more limited in the now. In most part, I receive my SF series consumption from the library by checking out DVDs. Which also puts me a year or two out of the "now" in television.
However, given those limitations, here's my current favorites and recommendations when you've finished watching Star Trek, Firefly, Dr. Who, and the other better known science fiction shows. What has changed is that the television has become as diverse and as hard to categorize as written science fiction. And that's a very good thing.
Orphan Black (2013-2017)
Ethics of science as it impacts our bodies is debated endlessly. Every time you think you know what's going on, the writers turn it around and dump another dilemma on the characters. Plus the range of diversity embodied in one body as the clones portrayed by Tatiana Maslany is a tour de force performance that should make us all think about how we tend to stereotype women and how we can shake up our characters.
This parallel universe drama manages a few unexpected twists and a lot of time wasting fun...about every time that I decided it was just a low-rent X-Files wannabe (complete with several star turns from former X-File cast members), they'd pull out an idea that made me grab the next DVD and stay up way too late to find out how that plot problem resolved itself. Also the exploration of a father and son relationship that is way, way stranger than you think it is and makes for unusual television on any level.
The X-Files (1998-2002)
All the alternate science that you could stuff into a series and a female lead who was the pragmatic, less emotional member of the partnership. It’s interesting to see how much technology changes from start to finish…and how very old some of it looks now. But there's nothing to top Scully in full science explanation mode and we have Gillian Leigh Anderson OBE to thank for a fantastic performance and the number of tough, thinking women who followed as leads in series.
The problems with time travel explored, especially how much you can and cannot change the past. The fact it centers on a billionaire prodigy growing up to a corporate overlord keeps it relevant. Not every episode is a winner but stick through the first couple of seasons and you'll be hooked on Erik Knudsen's performance as young Alec Sadler.
Warehouse 13 (2009-2014)
Steampunky fun and a little science history mingle in this raiders of the lost artifact warehouse show. Not every science fiction show has to be dour. Warehouse 13 was at its best when it was at its lightest. As was its crossover companion Eureka (2006-2012) about a small town where people invented the kind of stuff that might end up in the warehouse in another hundred years or so.
Yes it’s Muppets in a living space ship but also the first time that aliens looked and felt very alien indeed. The Henson legacy lives on this show that made it possible to believe these creatures were real. Also their plotting as the series went on started to stretch the narrative boundaries of the spaceship show as well as how an hour's action should be constructed.
This current show has some of the crazy, offbeat plotting of Farscape with more low rent technical effects. It’s still a delight for its ability to not take itself too seriously and its shaking up audience expectations. Also the prop department loves their green goo.
There's several stories out there with this title, but hunt down the 1998 British mini-series that treats vampires as a scientific fact and how that might lead to some very scary manipulations of modern government. Other people have done this theme but this one ladles out the chills better than all the rest. Plus Idris Elba in a fascinating performance.
Max Headroom (1987-1988)
The steampunk, dystopian design kept this show from feeling as dated when it popped up on various cable channels or streaming services. Still hard to believe that it started out as a "regular" TV show broadcast. The main satire/plot point of the media corporations taking over our heads still seems almost too likely. Coupled with Matt Frewer’s unscrewed performance as both Max and his human alter ego Edison Carter, this is always one of my top ten.
I asked for some recommendations from others and here's some of the feedback that I got.
From Amber Clark, photographer
The Expanse (2015-now)
Hard sci-fi with political intrigue. It’s Game of Thrones in space but without the rape.
From Nathan Crowder, writer
Russian Doll (2019)
This series on Netflix has time loops with super smart scripts, great cast, and excellent production values.
The Good Place (2016-now)
Spec-fic used to teach ethics? Plus it's funny as hell? Yes, please!
Saturday Aug 10 03:00 PM to 03:45 PM (45 minutes)
The Historic Davenport Hotel - Matador